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Modern Art in Europe and

The Americas 1900-1945"
        Chapter 31"
 Art Nouveau"
 Fauvism"
 Die Brücke"
 Der Blaue Reiter"
 Modernist sculpture"
 Cubism--Picasso and Braque"
    Analytic"
    Synthetic"
 Responses to Cubism"
    Futurism"
    Constructivism"
Art Nouveau"

                          Gustave Klimt


Decorative style of late 19th early 20th c characterized by its
sinuous lines and contours
Gustave Klimt
The Kiss
1907-08
Fauvism"

       Mattise and Derrain




      Les fauves = the wild beasts
      Strong color, dynamic brushstroke
Fauvism




          André Derain, Mountains at Collioure. 1905
Henri Matisse.                 The Joy of Life. 1905-06
The Woman with the Hat. 1905
Die Brücke"
                  (The Bridge)
                  1911-1913

                       Kirchner and Becker


Bridge between traditional and expressionist painting
One of two groups of German painters fundamental to Expressionism,
Vivid color, emotional tension, violent imagery, and an influence from primitivism.

.
Die Brücke German expressionism




Ernst Ludwig Kirchner. Street Berlin, 1913
German Expressionism	





                          Paula Modersohn-Becker, Self Portrait 1906
German Expressionism	





      The Outbreak Käthe Kollwitz, 1903. German Expressionism




         The Outbreak Käthe Kollwitz, 1903. !
Der Blaue Reiter"
        (The Blue Rider)
                     Kandinsky, Marc & Klee



  Desired to express spiritual truths
  Connection between visual art and music
  Symbolic associations of color
  Spontaneous intuitive approach to painting
Der Blaue Reiter German Expressionism




              Vasily Kandinsky. Improvisation No. 30 (Cannons) 1913
Der Blaue Reiter German Expressionism




             Franz Marc. The Large Blue Horses. 1911
Der Blaue Reiter German Expressionism




   Paul Klee. Hammamet with its Mosque. 1914
Modernist sculpture"


            Maioll and Matisse




         From Naturalism to abstraction
Henri Matisse. La Serpentine. 1909
Aristide Maillol. The Mediterranean. 1902-5
Picasso"
Self-portrait 1901
Family of Saltimbanques. 1905
Cubism"




Les Demoiselles d’Avignon. 1907
Cubism/influences"




                    Cezanne
Cubism--Picasso and Braque"
Cubism"




   Georges Braque. Houses at L’Estaque
   1908                                  Violin and Palette. 1909-10
Analytic Cubism                 Synthetic Cubism




   Picasso, Ma Jolie. 1911-12     Glass and Bottle of Suze. 1912
Cubist sculpture"




Pablo Picasso, Mandolin and Clarinet. 1913
Cubism"

    Simplification of form into facets/little cubes"
    Radical new way of representing objects"
    Rejects traditional perspective"
    Influenced by African art/ Cezanne"
    Grid as structure"
    Collage, lettering, new levels of reality"
    Undermines “High Art”"
Responses to Cubism"
Orphism




Robert Delauney, Homage to Blériot. 1914
Futurism"




Umberto Boccioni.                     Unique Forms of Continuity
States of Mind: The Farewells. 1911   in Space, 1913
Cubo-futurism"




Natalia Goncharova. Aeroplane over a Train. 1913
Futurism"


  Movement that began in Italy,
  Interest in movement, speed, technology, the automobile
Suprematist Painting--Russia"




                             Vladimir Tatlin. Corner Counter-Relief. 1915




 Kazimir Malevich. Suprematist Painting
 (Eitht Red Rectangles). 1915
Suprematism"

 “the supremacy of pure feeling in art”
  motivated by a “pure feeling for form” to
  liberate the essential beauty of all great
  art."


 Malevich"
Chapter 28

Part II"
 Europe"
    Dada"
    Early Modern and International Style architecture"
    Surrealism"
 Art in North America"
    Modern architecture"
    Painting-"
    Photography"
    Sculpture"
    Harlem Renaissance"
Dada"




   Hugo Ball reciting the sound poem “Karawane.”   John Hertfield. Have No Fear—He’s a Vegetarian
   Zurich, 1916                                    Photomontage in Regards no. 121, Paris 1936
Dada"




        Marcel Duchamp, Fountain, 1917
Dada"

 Began in Switzerland."
 Rejected the corrupt values of the the
  bourgeois culture, which they blamed for
  the war "
 Celebrated spontaneity, chance and
  irrational combinations"
Early Modern architecture"




                    Gustave Eiffel, Eiffel Tower, 1889
Joseph Paxton, Crystal Palace, 1851
Moving of Trusses
Walter Gropius and Adolf Meyer.
Fagus Shoe Factory,
                                  Vladimir Tatlin. Model for the
Germany, 1911-16                  Monument of the Third International. 1919-20
Le Corbusier. Villa Savoye, Poissy-sur Siene, France. 1929-30
Bauhaus"




Walter Gropius. Bauhaus Building, Dessau, Germany 1925-26
De Stijl"




        Piet Mondrian, Composition with Yellow, Blue and Red, 1937-42
        1937-42
De Stijl (The Style)"

 Dutch movement interested in radical
  abstractions in painting and architecture."
 Conviction that rational beauty had
  more value."
Gerrit Rietveld. Shröder House, Utrecht, the Netherlands. 1925
International Style


Volume vs.mass
     ferroconcrete eliminates load bearing walls

Regularity vs. symmetry

     standard building parts promote regularity

Rejection of arbitrary decoration

     intrinsic elegance of materials and design
Cass Gilbert. Woolworth Building,   Frank Lloyd Wright . Edgar Kaufmann House, Fallingwater,
New York. 1911-13                   Pennsylvania. 1937
André Breton

Surrelalism

"is based on the belief in
the superior reality of
 certain forms of
previously neglected
associations,
in the omnipotence of
dream, in the
disinterested play of
thought."
Surrealism"




              Joan Miró, Dutch Interior I 1928
Surrealism"




          Salvador Dalí, The Persistence of Memory, 1931
Surrealism"




        Meret Oppenheim, Luncheon in Fur, 1936
Surrealism"

 Exploration of the unconscious mind"
 Dreams"
 Free association"
 Automatic writing"
 Word games"
 Hypnotic trances"
Modernism in North America"




Georgia O’Keefe, City Night, 1926
Precisionism"




Charles Sheeler. American Landscape. 1930
Grant Wood, American Gothic. 1930
Photography"




               Dorothea Lange, Migrant Mother, 1936
Edward Hopper, Night Hawks. 1942
Harlem Renaissance"




Aaron Douglas. Aspects of Negro Life: From Slavery through Reconstruction. 1934
Harlem Renaissance"




     Jacob Lawrence. During the World War There Was a Great Migration North
      by Southern Negroes, panel I from The Migration of the Negro. 1940-41
Abstraction"




      Stuart Davis, Swing Landscape. 1938.
Sculpture"




         Alexander Calder. Lobster Trap and Fish Tail. 1939
Mexican Painters"




       Diego Rivera, Man, Controler of the Universe. 1934
Frida Kahlo. The Two Fridas. 1939

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31 modern art